Description:
This article critiques the symbolism of the journey as a team of Australian cricketers voyaged to India in 1935 embarking on the first Australia cricket tour to the subcontinent. Travel and tourism theories explicate the reactions of the cricketers to the ambivalence of being neither home nor away. This article asks: what did the Australians learn about themselves, their home and their destination whilst in transit? The theme of transition, both physical and emotional, is the central focus of this study. The journey on the ship signifies the team’s last immersion (for the duration of the tour) within exclusively English structures and customs. The cricketers’ insecurity when faced with the looming unknown upon descending the gangplank into India is extrapolated from available sources. The influence of Frank Tarrant as leader and educator intensified in the artificial hermetic vacuum of the ship’s environment. The unceremonious departure scenes in Melbourne, Adelaide and Fremantle are described and contrasted with the formality of the arrival in Bombay; such contrasts epitomize and underpin the cultural differences encountered throughout the tour.
Description:
This article critiques the Indian material culture located in present-day Pakistan pertaining to the inaugural Australian cricket tour to colonial India in 1935/36. The historical voice of the Indians is evident in the images and it is over the shoulders of the hosts of the tour that new perspectives emerge. It is culturally inappropriate to assume and evaluate how the locals felt about the visit of the Australian cricketers and the raison d’être of the tour. However, archives located in Pakistan provide a deeply subjective perspective. Goodwill and amicability reverberate through the photographs challenging conventional scholarship, which argues that Australian-Indian cricket is based on acrimony. The article concludes that despite the obvious and significant differences between the competing teams the tour experience minimized the racial divide between the Australian and the Indian cricketers.
Description:
Financier Maharaja Bhupinder Singh and tour manager Frank Tarrant are the two key protagonists of the inaugural Australian cricket tour to India in 1935/36 and the historical figures in this article. Their culturally atypical relationship was anomalous to the conventional imperialist paradigm and openly defied racist notions of Western supremacy and cultural incompatibility that informed and underpinned the initial expectations of the touring party. Despite their relationship being primarily driven by mutually beneficial professional and financial objectives, a genuine rapport that challenged the archetypal servant/master paradigm is evident. Press reportage from Australia, India and Britain supports the argument. The minute books of the Middlesex Cricket Club (1908–16) and the Melbourne Cricket Club (1907 and 1908) have been integral in locating information on Tarrant’s movements. Discovering the Tarrant scrapbooks (c.1918–51) at the Melbourne Cricket Club has answered many questions that have plagued previous research into the man who has remained an enigmatic mystery in cricket history. The post-colonial theories of Homi Bhabha (2012), specifically his analysis of mimicry, are employed to argue that the political agendas of the Indian royalty were evolving. Cricket, an English institution, was embraced and reconstructed by the Indian community. Indian society was rejecting the British template and opted to operate according to an increasingly nationalistic and indigenous ideology and through this process appropriated cricket, the bastion of Englishness, as its own. The Australians’ contribution to this process is interrogated, and the liberal influence of Tarrant and the Maharaja in minimizing the racial and social divide throughout the tour is evident.