Abbas Kiarostami and Film-Philosophy
- Authors: Abbott, Mathew
- Date: 2017
- Type: Text , Book
- Full Text: false
- Reviewed:
- Description: Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work. Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, Noel Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films: Taste of Cherry, The Wind Will Carry Us, ABC Africa, Ten, Five, Shirin, Certified Copy, and Like Someone in Love.
The figure of this world : Agamben and the question of political ontology
- Authors: Abbott, Mathew , Watkin, Christopher
- Date: 2014
- Type: Text , Book
- Relation: Crosscurrents
- Full Text: false
- Reviewed:
- Description: A fundamental re-reading of Agamben that defends and develops his philosophy as post-Heideggerian political ontology. What if we've been wrong when reading Agamben? Mathew Abbott argues that Agamben's thought is misunderstood when read in terms of critical theory or traditional political philosophy. He shows instead that it engages in political ontology: studying the political stakes of the question of being. Abbott demonstrates the crucial influence of Martin Heidegger on Agamben's work, locating it in the post-Heideggerian tradition of the critique of metaphysics. He also positions it in relation to the thought of Benjamin, Nietzsche, Levinas, Nancy, and Wittgenstein. As he clarifies it, Abbott links Agamben's philosophy with Wittgenstein's picture theory and Heidegger's concept of the world-picture, showing the importance of this for understanding - and potentially overcoming - the forms of alienation characteristic of the society of the spectacle. © Mathew Abbott, 2014.
Michael Fried and philosophy : Modernism, intention, and theatricality
- Authors: Abbott, Mathew
- Date: 2018
- Type: Text , Book
- Relation: Routledge Research in Aesthetics series Vol. 1
- Full Text: false
- Reviewed:
- Description: This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried’s art history and criticism. It demonstrates that Fried’s work on modernism, artistic intention, the ontology of art, theatricality, and anti-theatricality can throw new light on problems in and beyond philosophical aesthetics. Featuring an essay by Fried and articles from world-leading scholars, this collection engages with philosophical themes from Fried’s texts, and clarifies the relevance to his work of philosophers such as Ludwig Wittgenstein, Stanley Cavell, Morris Weitz, Elizabeth Anscombe, Arthur Danto, George Dickie, Immanuel Kant, Friedrich Schiller, G. W. F. Hegel, Arthur Schopenhauer, Friedrich Nietzsche, Denis Diderot, Maurice Merleau-Ponty, Roland Barthes, Jacques Rancière, and Søren Kierkegaard. As it makes a case for the importance of Fried for philosophy, this volume contributes to current debates in analytic and continental aesthetics, philosophy of action, philosophy of history, political philosophy, modernism studies, literary studies, and art theory.