Running with pigs
- Authors: Bourne, Tracy
- Date: 2006
- Type: Text , Play
- Full Text:
- Description: Play -Writer, Producer, Performer of live performance -Running with pigs
- Description: 2003007023
And the world goes round
- Authors: Bourne, Tracy
- Date: 2006
- Type: Text , Play
- Full Text: false
- Description: Play held in Melbourne Directed by Tracy Bourne
My Buninyong home
- Authors: Bourne, Tracy
- Date: 2004
- Type: Text , Play
- Full Text: false
- Description: Play performed at Ballarat. Writer, Producer, Performer -
Peer Gynt
- Authors: Campbell, Justine , Wicks, David
- Date: 2014
- Type: Text , Play
- Full Text: false
- Description: Justine Campbell’s wild and scatological version brings Peer Gynt crashing into our modern world. Translated by Colin Teevan and R. Farquharson Sharp. Cast:-Beckerleg, Amanda Billing, Andrew Brotz, Mitchell Foers, Sarah Gee, Elliott Gulinello, Salvatore Hancock, Sasha Knevett, Susannah Mason, Luke Masterman, Daisy Meyer, Cyril Somers, Madeleine Thiesz, Hannah Vagg, Tara Vettos, Eleni Wolff, Honor Yencken-Forde, Isabelle
MOMO : a play with music adapted from the book by Michael Ende, Music by Rick Chew, book and lyrics by Anthony Crowley
- Authors: Chew, Rick , Crowley, Anthony
- Date: 2022
- Type: Text , Visual art work , Play
- Full Text: false
- Description: Once upon a time, a young orphan girl appears in the local amphitheatre. The townsfolk, at first perplexed, soon discover that Momo has a special power, the gift of listening. Before long, Momo has transformed the whole community, children play more, people argue less and her friends Beppo Roadsweeper and Guido Guide visit every day. But all that is about to change. Beyond the outskirts of town a dark force is gathering. The Men In Grey and their sinister time saving bank are in need of new customers, and no one in town is safe. Wednesday 2nd November @ 7:00pm Thursday 3rd @ 7:00pm Friday 4th November @ 2:00pm & 7:00pm Saturday 5th November @2:00pm & 7:00pm Ticket available:https://www.eventbrite.com.au/e/momo-tickets-379439462647
Scenes from an execution
- Authors: Durban, Kim
- Date: 2002
- Type: Text , Play
- Full Text:
- Description: Producer
- Description: 2003007048
Goodnight Desdemona, Good morning Juliet
- Authors: Durban, Kim
- Date: 2004
- Type: Text , Play
- Full Text:
City wit
- Authors: Durban, Kim
- Date: 2007
- Type: Text , Play
- Full Text:
The antipodes
- Authors: Durban, Kim
- Date: 2008
- Type: Text , Play
- Full Text: false
- Description: Performance by third year performing art students at the Ballarat Arts Academy at the Ballarat Mining Exchange Helen Macpherson Smith Theatre, 31st May, 2007- Running time - 2hrs 34 mins
- Description: Directed by Kim Durban
Twelfth Night by William Shakespeare
- Authors: Durban, Kim
- Date: 2006
- Type: Text , Play
- Full Text:
- Description: Live performance of 'Twelfth Night by William Shakespear' directed by Kim Durban, Post Office Box Theatre, Ballarat. 14 - 18 June 2006. Research Background: Companies all over the world have produced this Shakespear play which enjoyed its first production by the Arts Academy. Research Contribution: This original Australian production used an innovative approach to the aesthetic of the play in 3 ways - first, by representing the characters using multiple actors who shared the lines and the part, second by using a peer actor to work alongside the graudate company and provide a professional role model and third by using a sculptor, a painter and a theatre designer as collaborators on the design setting. Research Significance: The significance of this research is that it proved the authenticity and theatrical flexibility of the material and provided sophisticated benchmarks for artist training. Durban's dramturgical approach also intersected with current Shakespeare scholarship and introduced the play to a regional audience. Its value is attested to by the following indicators: Cast and creative members have gained employment with national and international arts companies, including Steven Spielberg's 'The Pacific'.
Showcase 2014
- Authors: Durban, Kim
- Date: 2014
- Type: Text , Play
- Full Text: false
- Description: Peformed 6-8 November, 2014 Post Office Box Theatre, Ballarat, Australia 12-13 November, 2014 MTC Southbank Theatre, Melbourne, Australia Music Theatre directed by Sara Grenfell Staging/Choreography by David Wynen Musically Directed by Robyn Womersley
The Tempest
- Authors: Durban, Kim
- Date: 2012
- Type: Text , Play
- Full Text: false
- Description: Performance of 'The Tempest' at the Helen Macpherson Smith Theatre, University of Ballarat, 13 June - 17 June 2012. Directed by Kim Durban.
Kiss Me, Kate
- Authors: Durban, Kim
- Date: 2006
- Type: Text , Play
- Full Text:
- Description: Live performance of 'Kiss Me, Kate' directed by Kim Durban, Princess Theatre, Melbourne. 24 November - 3 December 2006. Research Background: Companies all over the world have produced this American musical. Research Contribution: This original Australian production used an innovative approach to the aesthetic of the play-within-a play The Taming of the Shrew, which is normally set in Shakespearean dress. In this version the players were set in the Art Deco/Jazz era, causing a series of innovative approaches to, and thus a shift in audience perception of character, costume, design, choreography and instrumentation. Research Significance: The significance of this research is that it proved the authenticity and theatrical flexibility of the material and provided sophisticated benchmarks for artist training. Durban's dramaturgical approach also supported the script and introduced the work of the regional Arts Academy to Melbourne audiences through a unique partnership with Melbourne's Princess Theatre. Its value is attested to by the following indicators: cast members have gained employment with national and international arts companies including MTC and Wicked (Asian Tour). Design team members have worked on the Australian Ballet and Moomba. The production was extensively attended and reviewed.
Margaret of Anjou
- Authors: Durban, Kim
- Date: 2018
- Type: Text , Play
- Full Text: false
- Description: 26th April-5th May 2018. Experience the Ballarat premiere of Shakespeare's most feminist play. Written to mark the 400th anniversary of Shakespeare’s death (2016), Margaret of Anjou could change the way we see Shakespeare. As Margaret matures from feisty princess to scheming queen, we see a female role that is an ‘Everest’ on a par with King Lear.
Showcase 2017
- Authors: Durban, Kim
- Date: 2017
- Type: Text , Play
- Full Text: false
- Description: Peformed 7th-11th November 2017, Post Office Box Theatre, Ballarat, Australia; 15th-16th November 2017, MTC Southbank Theartre, Melbourne, Australia. Directed by Kim Durban (Acting) and Sara Grenfell (Music Theatre), Musical Direction by Robyn Womersley, Choreography by Christina D'Agostino. Passionate and contemporary, SHOWCASE 2017 celebrates FedUni’s Arts Academy and the graduating students of the Acting and Music Theatre Companies. The season will demonstrate the breadth of talent at the Arts Academy and provide the opportunity for audiences to witness young artists on the verge of their professional careers, as they emerge to enliven Australia's cultural landscape.
Garden City Weeded
- Authors: Durban, Kim
- Date: 2017
- Type: Text , Play
- Full Text: false
- Description: Performance of 'Garden City Weeded' at the Helen Macpherson Smith Theatre, Federation University of Australia, 6th-13th April 2017. Directed by Kim Durban.
The Northan Lass
- Authors: Durban, Kim
- Date: 2019
- Type: Text , Play
- Full Text: false
- Description: Performed 18th September-22nd September 2019 By Richard Brome Presented by the Third Year Acting Company The Northern Lass by Richard Brome, a play written and first staged in 1638, is a boisterous comedy with music that focuses on the wooing and marriage of four women: Mistress Fitchow, a rich and domineering widow; Constance, the innocent Northern Lass of the title, freshly arrived in the city; Trainwell, who acts as her governess ;and Camitha Holdup, a cunning courtesan who impersonates the Northern Lass. They are wooed by Triedwell, Squelch, Nonsense, Widgeon and Luckless… as these names suggest, there is a little gentle satire about love, and more confusion here than an episode of MAFS. Director: Kim Durban Venue: Helen Macpherson Smith Theatre, Camp Street Campus
Shane Warne the Musical
- Authors: Gould, Casey , Di Somma, Luke
- Date: 2019
- Type: Text , Play
- Full Text: false
- Description: Performed 25th October-29th October 2019 Book, lyrics and music by Eddie Perfect Presented by the Second Year Music Theatre Company Shane Warne: The Musical is a musical comedy by Eddie Perfect based on the life of Australian cricketer Shane Warne. A wild, funny and outrageous musical romp through the life and times of one of the world's greatest cricketers.The show spins us through the bowler's controversy-laden career and roller-coaster personal life set to soul, rock, opera and gospel music. Director: Casey Gould Musical Director: Luke Di Somma Venue: Helen Macpherson Smith Theatre, Camp St Campus
Laramie project
- Authors: Hall, Ross
- Date: 2006
- Type: Text , Play
- Full Text:
- Description: Producer of play- The Laramie project
- Description: 2003007052
Special Study of Tennessee Williams
- Authors: Hall, Ross
- Date: 2005
- Type: Text , Play
- Full Text: false
- Description: 'Special Study of Tennessee Williams', directed by Ross Hall, consisted of 5 live performances held at the Post Office Box Theatre, Ballarat during October 2005. The production was undertaken by 2nd Year students within the undergraduate acting program at UB and constituted in-depth research into the area of naturalistic American theatre in the wake of Stanislaski's influenct on the Group Theatre. Specifically, research focussed on two rarely performed pieces by the playwright Tennessee Williams: Orpheus Descending and Suddenly Last Summer. The work exposed the viewing public to material now, in the main, unfamiliar to contemporary Australian audiences. It also focuses perfroming students on material which is now culturally and socially foreign to them, with a special focus on performance within a Black Box mode: theatre stripped of conventional set and costume machinery, and, along with many other performance projects, constitutes part of my ongoing research with respect to theatrical representation in contemporary Australian pedagogically-based theatre.