The tourism spectacle of fire making at Coranderrk Aboriginal Station, Victoria, Australia–a case study
- Authors: Clark, Ian , McMaster, Sarah , Roberts, Phillip , Cahir, David (Fred) , Wright, Wendy
- Date: 2020
- Type: Text , Journal article
- Relation: Journal of Heritage Tourism Vol. 15, no. 3 (2020), p. 249-266
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- Description: This paper explores the emergence of traditional Aboriginal fire making practices as a tourism spectacle at the Coranderrk Aboriginal Station near Healesville, Victoria, Australia, in the late nineteenth century. Coranderrk was an important site where domestic and international tourism intersected with efforts of the state to Europeanise and Christianise its Aboriginal residents. It highlights the agency of Aboriginal people in this emergence. Through a survey of the myriad uses of fire in Aboriginal society, it contrasts Aboriginal methods of making fire with European methods as a way of contextualising the tourist interest in fire making demonstrations. Fire making was the perfect foil for tourism – it easily incorporated aspects of performance – such as the build, the show, the closer, and the hat. The skill of fire making was a demonstration of ‘Aboriginality’, and its appropriation by tourism was a means by which a traditional craft was maintained and sustained. © 2019, © 2019 Informa UK Limited, trading as Taylor & Francis Group.
Tourist visitation to Ebenezer Aboriginal mission station, Victoria, Australia, 1859-1904: A case study
- Authors: Clark, Ian , McRae-Williams, Eva
- Date: 2014
- Type: Text , Journal article
- Relation: Tourism, Culture and Communication Vol. 13, no. 2 (2014), p. 113-123
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- Description: This article investigates the phenomenon of tourist visitation to an Aboriginal Mission Station in the Wimmera region of Victoria, Australia, during its operation from 1859 to 1904. It provides an overview of the history of tourism to Aboriginal missions in Victoria and presents the first detailed study of tourism to the Ebenezer Mission site. It shows that in contrast with other mission stations in Victoria, where tourism was encouraged, the Moravian missionaries discouraged visitation and deliberately selected a remote location in northwest Victoria to ensure their isolation. Nevertheless, a limited number of visitors were welcomed on to the station and their accounts are presented in this case study. Copyright Cognizant Communication Corporation (CCC)
‘An edifying spectacle’ : A history of ‘tourist corroborees’ in Victoria, Australia, 1835–1870
- Authors: Cahir, David (Fred) , Clark, Ian
- Date: 2009
- Type: Journal article
- Relation: Tourism Management Vol.31, no.3 (2010), p. 412-420
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- Description: Parsons [Parsons, M. (2002). “Ah that I could convey a proper idea of this interesting wild play of the natives” corroborees and the rise of indigenous Australian cultural tourism. Australian Aboriginal Studies, 2(1), 14–27.] has persuasively argued that nineteenth century corroborees performed for non-indigenous audiences may be considered to be Australia's pre-eminent prototypical indigenous cultural tourism product. This paper extends Parsons' [Parsons, M. (1997). The tourist corroboree in South Australia. Aboriginal History, 21(1), 46–69; Parsons, M. (2002). “Ah that I could convey a proper idea of this interesting wild play of the natives” corroborees and the rise of indigenous Australian cultural tourism. Australian Aboriginal Studies, 2(1), 14–27.] analyses of ‘tourist corroborees’ in nineteenth century South Australia to corroborees staged in Victoria during the pastoral period and the gold rushes of the 1850–1870s. It argues that an Aboriginal-grown ‘business acumen’ developed rapidly in the economic climate of the Victorian goldfields. It also provides a historical context to this commodification.
Rock art sites in Victoria, Australia : A management history framework
- Authors: Clark, Ian
- Date: 2002
- Type: Text , Journal article
- Relation: Tourism Management Vol. 23, no. 5 (2002), p. 455-464
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- Description: A recent examination of the management histories of a select number of rock art sites in the Grampians-Gariwerd National Park in southwest Victoria, Australia, has found that management decisions, research, and site interventions were often taking place in ignorance of what had gone before. Heritage site management is often conducted in an ad hoc manner with limited understanding of past planning and management. A framework for understanding the management history of indigenous rock art sites is presented. With some modification the framework could be applied to other indigenous cultural sites. © 2002 Elsevier Science Ltd. All rights reserved.
- Description: 2003000229