27th Shell Fremantle Print Award
- Authors: Mann, Allan
- Date: 2002
- Type: Text , Visual art work
- Full Text:
Dryland journey
- Authors: Ross, Ewen
- Date: 2002
- Type: Text , Visual art work
- Full Text: false
- Description: Painting exhibit held in Melbourne
Global matrix
- Authors: Mann, Allan
- Date: 2002
- Type: Text , Visual art work
- Full Text:
- Description: 2003007065
Peter Pilven 3 decades of clay: An Overview
- Authors: Pilven, Peter
- Date: 2002
- Type: Text , Visual art work
- Full Text:
- Description: Ceramics exhibition held at Ballarat Fine Art Gallery
- Description: 2003007078
Prospect Portrait Prize
- Authors: Button, Loris
- Date: 2002
- Type: Text , Visual art work
- Full Text: false
Regarding history
- Authors: Button, Loris
- Date: 2002
- Type: Text , Visual art work
- Full Text: false
- Description: Exhibition held 2nd-19th April, 2003, Goya Galleries cnr Spring and Latrobe St , Melbourne
The Hutchins Art Prize 2002
- Authors: Mann, Allan
- Date: 2002
- Type: Text , Visual art work
- Full Text:
- Description: Painting - Exhibition
Victa Vegemite & Violet Crumble (Australian) Artists who make books
- Authors: Mann, Allan
- Date: 2002
- Type: Text , Conference proceedings
- Full Text: false
- Description: 2003007059
Illuminating the exegesis : A discussion of the exegesis component of the creative thesis in Australian research higher degrees
- Authors: Mann, Allan , Fletcher, Julie
- Date: 2003
- Type: Text , Conference paper
- Relation: International Conference on Arts and Humanities, January 12-15, 2003, Sheraton Waikiki Hotel, Honolulu, Hawaii. USA January 12-15, 2003
- Full Text:
- Description: Within the Australian context of research higher degrees being undertaken as ‘thesis only’ programs, the “creative thesis” model has become well established as the usual model for research higher degrees in the Visual and Creative Arts disciplines, offered by Australian Universities. The “creative thesis” model originated within Visual Arts Masters programs, and has been more recently taken up in Visual Arts PhDs, and within Masters and PhD programs in other Creative Arts areas, for example, in Performing Arts and Creative Writing programs. This model requires a research undertaking that results in the submission of a substantial and original body of creative work (for example: a public exhibition of paintings, drawings, sculptures, a novel or collection of poetry or stories of publishable quality, a play or musical performance piece, etc) accompanied by an exegesis: a scholarly commentary that supports, contextualises, and elucidates the creative research. This thesis model, of creative work plus exegesis, has emerged against a background of debate and contestation regarding art and research. The inevitable tension between ideas of 'art as research' and 'art as professional practice' has given rise to a range of debates regarding the status of art practice as research, the recognition of art practice as 'publication' equivalent, and even the appropriateness of research higher degrees in the Creative Arts. These issues have been debated throughout the 1990s, and in some areas are still being debated. In spite of this, Creative Arts research higher degrees are firmly up and running, and the 'creative thesis' is a reality. While these debates may appear to have been resolved by university policy developments that have established the 'creative work plus exegesis' model within many institutions, this paper will explore the extent to which these debates not only provide the context or background of this thesis model, but also remain reflected in the range of ways the creative thesis is handled by institutions, and in the levels of uncertainty that continue to surround the exegesis. This paper then will explore and discuss a range of practices and debates surrounding the roles, purposes and expectations of the exegesis component of the creative thesis in Australian Universities, in particular as these relate to Visual Arts higher degrees. Beyond this, however, it will attempt to negotiate a path through these diverging practices and debates, in order to demystify, clarify and illuminate the exegesis.
- Description: 2003007057
New paintings
- Authors: Saunders, Anne
- Date: 2003
- Type: Text , Visual art work
- Full Text: false
- Description: New paintings exhibited at Flinders Lane Gallery 20th May -7th June 2003
Self portraits
- Authors: Button, Loris
- Date: 2003
- Type: Text , Visual art work
- Full Text: false
- Description: Exhibition of paintings held at the Ballarat Fine Art Gallery, Ballarat.
Walkers Imperial Porcelain
- Authors: French, Neville
- Date: 2003
- Type: Text , Visual art work
- Full Text: false
- Description: Artwork submitted for exhibition held at Skepsi Gallery, Melbourne
Works by Doug Wright
- Authors: Wright, Doug
- Date: 2003
- Type: Text , Visual art work
- Full Text: false
- Description: Exhibition of paintings
Celebrating the Master
- Authors: Pilven, Peter
- Date: 2004
- Type: Text , Visual art work
- Full Text: false
- Description: Ceramics exhibition held in Melbourne
Heroes, Traitors war and mayhem : 19th century
- Authors: Morrison, Gordon
- Date: 2004
- Type: Text , Book
- Full Text:
- Description: Exibition Catalogue
- Description: 2003007069
Journeys
- Authors: Wemyss, Barry
- Date: 2004
- Type: Text , Visual art work
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- Description: Exhibition ceramics held at Ballarat Works inspired by personal and physical journeys. October 8 - November7 2004 held at Ballarat Fine Art Gallery
- Description: 2003007093
Peril in the Square : The sculpture that challenged a city
- Authors: Wallis, Geoff
- Date: 2004
- Type: Text , Book
- Full Text: false
- Description: 2003007092
Port's edge
- Authors: Pasakos, James
- Date: 2004
- Type: Text , Visual art work
- Full Text:
- Description: 2004 Solo Exhibition, Port's Edge, Axia Modern Art Gallery- Melbourne Mixed media
- Description: 2003007077
'Gardenesque' Exhibition
- Authors: Wilson, Carole
- Date: 2005
- Type: Text , Visual art work
- Full Text:
- Description: 'Gardenesque' is a Ballarat Fine Art Gallery travelling exhibition held at Maroondah Art Gallery 20 January - 19 February 2005, Craft ACT Gallery 2 June - 3 July 2005 and Ararat Gallery 30 July - 11 September 2005. Acrylic paintings on canvas, carpet wall installations and paper wall installations. This research investigated notions of home and garden, particularly as it related to domestic architecture in Ballarat. Decorative architectural embellishments such as iron lace and plaster ceiling roses were revisted in materials such as reclaimed carpet. Garden design and architectural and building nomenclature were explored through paintings on canvas. Ownership and attachment to domestic space formed the backdrop to this exhibition.
Acquistive ceramic award
- Authors: Wemyss, Barry
- Date: 2005
- Type: Text , Visual art work
- Full Text: false
- Description: Ceramics exhibition