Description:
ASMR (Autonomous Sensory Meridian Response) is the pseudo-scientific term used to describe a ‘tingly’ physical response that viewers of ASMR videos may experience from watching a combination of auditory, visual and tactile triggers. To explore how this might happen, we examine the experience of ASMR as a technologically-mediated, affective experience, using examples from prominent ASMR artists. We seek to understand this community of ASMR viewers through the disjuncture that exists between the embodied experience of tingles and deep relaxation, and its technologically-mediated delivery. In this paper, we explore ASMR as a mediated affective experience – uniquely shaped by online spaces and their affordances. After providing a brief overview of ASMR videos and creators, we explore how ASMR artists engage in boundary work through the definitions of ASMR that they produce to support a quest for cultural and scientific legitimacy. The practice of naming and defining ASMR creates a site affective 'stickiness’, where affective experiences are intentionally constructed and strategically heightened. Finally, we examine the provocations that research into ASMR may bring an understanding of the senses, affect and technologically-mediated intimacy.
Description:
Drawing upon critical social theory on embodiment this article offers a contribution to the field of tourist performance through a focus on listening. Research findings on a classical musical festival in Australia are presented to argue that exciting challenges are available to tourism research when closer attention is given to the sonic knowledge of listening. The article discusses the conceptual and methodological implications when attention turns to the ear and then describes how festival attendees listened offers insights to how they conceived of themselves in and through time and place. Taken together, listening bodies offers an exciting future research agenda for tourism studies.
Description:
This paper draws on a visceral approach to explore the role of sound/music for people who drive cars. We examine the ways in which gendered subjectivities emerge from the pleasures associated with listening to sound/music during short car trips. The first part of the paper reviews the recent literature on ‘feelings for cars’. We highlight why gender is often absent from the literature before offering a conceptual lens drawing on geographical feminist thinking to consider sound/music, feelings, gender and mobility. We draw on driving ethnographies to explore the role of sound/music in how gender is assembled with the flow of connections between bodies, spaces and affects/emotions. Considering the contextual pleasures of listening to sound/music on these trips and emergent gender subjectivities we provide a more nuanced interpretation of why people choose to drive cars. To conclude, we point to the implications for applied research for new context-specific transport and climate change policy.
Description:
We argue that a closer attention to the everyday visceral experiences of hearing and listening offers new insights into geographies of home and practices of sustainability. We suggest that this approach is significant to understanding how sound helps to assemble and reassemble the relationships that comprise home. We concentrate on a group of 10 amenity-led migrants in their ‘new coastal home’ in Bermagui, New South Wales, Australia. Each participant recorded a sound diary composed of their everyday sounds. Our interpretation explores the visceral connections in the processes of making bodies feel ‘at home’. First, we discuss how the rhythmic affordances of both human and non-human sounds help configure and reconfigure the spatiality and temporality of home. Second, our interpretation explores how sound is bound up with sustainability politics of homemaking. We investigate experiential practices and performativities of listening and hearing that may help constitute and reconstitute ‘a’ subject. This approach extends current thinking that encourages engagement with the corporeal, affective and emotional dimensions of home.