Description:
Since the early 1970s Australia has been described as a multicultural society. Australian Government policy, portfolios and promotion of cohesive and co-operative communities aim to encourage understanding of cultural backgrounds of all who comprise it. Considering the importance of language to everyday life, very tittle research has been undertaken on the role of language on the Victorian goldfields. This chapter deals with the impact of language on non-English speakers, specifically Italian speakers from the Jim Crow goldfield. It can be assumed that other non-English speakers on other goldfields throughout Victoria experienced similar difficulties to those at Jim Crow.
Description:
Since the early 1970s Australia has been described as a multicultural society. Australian Government policy, portfolios and promotion of cohesive and co-operative communities aim to encourage understanding of cultural backgrounds of all who comprise it. Considering the importance of language to everyday life, very tittle research has been undertaken on the role of language on the Victorian goldfields. This chapter deals with the impact of language on non-English speakers, specifically Italian speakers from the Jim Crow goldfield. It can be assumed that other non-English speakers on other goldfields throughout Victoria experienced similar difficulties to those at Jim Crow.
Description:
In the 1960s Australian historians were criticized for being the ``high priests'' of a cult of forgetfulness, for neglecting Aboriginal history, and for excluding a whole quadrant of the landscape from their research. In this article, the authors argue that the same criticisms may be leveled at the interpretation of goldfields history. Taking the Goldfields Tourism Region in western Victoria as their focus, the authors show the richness of the Aboriginal side of the goldfields story, and show that their exclusion from this story is not due to a lack of material. On the contrary, the barriers that exclude Aboriginal experiences from goldfields tourism are based on the perception and choice of tourism agencies and managers. The practice of history of the Sovereign Hill Museums Association in Ballarat serves as a case study for this article. The authors argue that the heritage industry has a responsibility to ensure that Aboriginal experiences are not excluded from their interpretation. Just as the writing of mainstream history had for many years dispossessed Aboriginal peoples and kept them out of sight, and out of mind, it is time for the historiography of gold to reappraise its ideology and find a balance that no longer excludes Aboriginal themes that have a legitimate place in goldfields history. There are several ways that Sovereign Hill may present indigenous perspectives as it interprets the history of gold mining in Ballarat and Victoria from 1850. More information can be made available, by such means as a series of publications ranging from books to Web pages and activity sheets for children. Interpretive displays focusing on the specificity of Aboriginal people and gold, centered around the themes reviewed in this article, could be constructed. Aboriginal guides could interpret this rich heritage for visitors to the museum. Aboriginal people were present on the Ballarat goldfields, and elsewhere, in many capacities, as Native Police, as miners, guides, and gold finders, as wives and sexual partners, as farmers and entrepreneurs trading cultural items and food, and as local residents going about their everyday lives, staging corroborees and other forms of interaction with other inhabitants. Many of these interactions could be ``activated'' by Aboriginal people; for example, there is scope for activation of the corroborees staged in Ballarat in the 1850s, of the Aboriginal encounter of the traveling musical troupe as witnessed by Antoine Fauchery, of the trade between Aboriginal people and miners, and of the critical role played by the Aboriginal Native Police in maintaining law and order in Ballarat and other goldfields in the early 1850s.
Description:
In the 1960s Australian historians were criticized for being the ``high priests'' of a cult of forgetfulness, for neglecting Aboriginal history, and for excluding a whole quadrant of the landscape from their research. In this article, the authors argue that the same criticisms may be leveled at the interpretation of goldfields history. Taking the Goldfields Tourism Region in western Victoria as their focus, the authors show the richness of the Aboriginal side of the goldfields story, and show that their exclusion from this story is not due to a lack of material. On the contrary, the barriers that exclude Aboriginal experiences from goldfields tourism are based on the perception and choice of tourism agencies and managers. The practice of history of the Sovereign Hill Museums Association in Ballarat serves as a case study for this article. The authors argue that the heritage industry has a responsibility to ensure that Aboriginal experiences are not excluded from their interpretation. Just as the writing of mainstream history had for many years dispossessed Aboriginal peoples and kept them out of sight, and out of mind, it is time for the historiography of gold to reappraise its ideology and find a balance that no longer excludes Aboriginal themes that have a legitimate place in goldfields history. There are several ways that Sovereign Hill may present indigenous perspectives as it interprets the history of gold mining in Ballarat and Victoria from 1850. More information can be made available, by such means as a series of publications ranging from books to Web pages and activity sheets for children. Interpretive displays focusing on the specificity of Aboriginal people and gold, centered around the themes reviewed in this article, could be constructed. Aboriginal guides could interpret this rich heritage for visitors to the museum. Aboriginal people were present on the Ballarat goldfields, and elsewhere, in many capacities, as Native Police, as miners, guides, and gold finders, as wives and sexual partners, as farmers and entrepreneurs trading cultural items and food, and as local residents going about their everyday lives, staging corroborees and other forms of interaction with other inhabitants. Many of these interactions could be ``activated'' by Aboriginal people; for example, there is scope for activation of the corroborees staged in Ballarat in the 1850s, of the Aboriginal encounter of the traveling musical troupe as witnessed by Antoine Fauchery, of the trade between Aboriginal people and miners, and of the critical role played by the Aboriginal Native Police in maintaining law and order in Ballarat and other goldfields in the early 1850s.
Description:
The Tracker is a Dream for filmmakers, explorers, myth makers, writers, politicans, academics alike. He can represent Aboriginal privilege, Aboriginal complicity, oppression, containment. He can represent settler powerlessness, powerfulness, arrogance, ignorance and illegitamacy.
Description:
The Tracker is a Dream for filmmakers, explorers, myth makers, writers, politicans, academics alike. He can represent Aboriginal privilege, Aboriginal complicity, oppression, containment. He can represent settler powerlessness, powerfulness, arrogance, ignorance and illegitamacy.
Description:
When gold was discovered at Ballarat in 1851, the peaceful pastoral community was transformed into a rough mining camp. People from all parts of the world came in search of wealth, bringing with them a diversity of cultural and spiritual affiliations. As the musical life of the various denominational groups developed according to specific doctrinal principles and local influences, strong opinions were expressed in the community regarding the place of music in worship. This article looks at the developments in sacred music during the two decades that saw Ballarat transformed into a major city. The strong differences in discourse and practice that were evident between and within particular religious groups form a background for reflecting upon contemporary perceptions of the function of music in worship.
Description:
"This thesis examines the paths by which four Celtic ethnic identities, Cornish, Welsh, Scottish and Irish, responded to the specific society and culture of the Victorian goldfields between 1850-1901. The individual Celtic groups intersected, harmonised and contested with each other in a process through which they retained their identities and yet managed to move towards becoming part of a larger, more-encompassing unity."
Description:
"This thesis examines the paths by which four Celtic ethnic identities, Cornish, Welsh, Scottish and Irish, responded to the specific society and culture of the Victorian goldfields between 1850-1901. The individual Celtic groups intersected, harmonised and contested with each other in a process through which they retained their identities and yet managed to move towards becoming part of a larger, more-encompassing unity."
Description:
The history of gold has traditionally excluded a whole quadrant from its landscape. This chapter aims to reconstruct the close association between Aboriginal people and Victoria's gold mining that undoubtedly existed during the nineteenth century. It is especially appropriate to do so in a book that reconsiders the Eureka story from unexpected angles in order to reflect generally upon the historical inheritance of the goldrushes upon Australian society.
Description:
The history of gold has traditionally excluded a whole quadrant from its landscape. This chapter aims to reconstruct the close association between Aboriginal people and Victoria's gold mining that undoubtedly existed during the nineteenth century. It is especially appropriate to do so in a book that reconsiders the Eureka story from unexpected angles in order to reflect generally upon the historical inheritance of the goldrushes upon Australian society.
Description:
Some European women exercised autonomous power on the early Victorian goldfields demonstrating their gendered relations in the patriarchal colonial society that was operating. This chapter examines two marginal groups of women through the themes of marriage, family and the law arguing that some challenged orthodoxies, negotiated terms, faced adversities, and exercised agency in a goldfields landscape which was orientated to males.
Description:
As a result of social, political and economic problems in their homeland during the mid-nineteenth century, many Chinese people decided to try their luck on the Victorian goldfields. Here they practised many types of musical activity, including Chinese opera, songs, instrumental music, and music for ceremonial and religious occasions. Chinese musicians also participated in concerts and celebrations before the wider community. This article explores these different types of Chinese music, and looks at the role of music in the lives of the Chinese people who, because of the widespread discrimination they faced, were forced to live and work in an environment of prejudice and hostility.
Description:
Generations of Australians have grown up with the legend of Eureka and the familiar images of the gold rush in central Victoria. However, underneath these commonly known stories lies a stranger and darker past. As well as colonists, pioneers, soldiers and rebal miners, the colonial goldfields were home to spiritualists, secret societies, ghost-hoxers, bunyip legends and murderers. There are also the stories of those often forgotten in the goldfield histories - Indigenous peoples, immigrant communities, homosexuals, and the mentally ill. 'Goldfields and the gothic' is an anthology by local historians of the long buried legends, histories and folklore of the Victorian goldfields and their legacy today. Every historian has a collection of strange, buried pieces of history; this work begins the task of bringing them into the light.
Description:
The history of Ballarat, situated at the heart of the goldfields of central Victoria, Australia, is closely tied to the colonial experience. As the site of the Eureka Stockade rebellion, its history is linked to the foundation myths of Australian democracy. It boasts both the Museum of Australian Democracy at Eureka (M.A.D.E), situated on one of the suspected sites of the rebels' stockade, and Australia's premier open air museum, the theme park of Sovereign Hill, which re-enacts life on the goldfields of the 1950s and 1860s. In Ballarat itself many of the businesses utilise symbols of the goldfields in their advertising and trademarks, as do many of the street names, festivals and public events. The Victorian architectural heritage is highly prized and showcased to the thousands of visiting tourists on Sturt and Lydiard Streets, and particularly those who come each year for Ballarat's Heritage Weekend festival held in May. Yet there is a dark side to this history. The prosperity of the gold was built on the land of the Wathawurrung Aborigines who were displaced and marginalised, and suffered under the weight of colonial occupation and environmental devastation. Likewise, despite the prominence of stories surrounding those who became wealty on the goldfields of central Victoria, many who came to Ballarat during the Victorian era found themselves displaced and living in extremen poverty, facing disease, hunger and vulnerability to crime, prostitution and dangerous working conditions. It is these stories from the underbelly of Ballarat's heritage that form the fodder of a thriving dark tourist industry, expressed in popular ghost tours and supplemented by a rich heritage of ghost stories in folklore and popular culture. In the tension between these two discordant narratives Ballarat has become, in popular imagination, a haunted city.
Description:
The word Banshee is derived from the Gaelic 'bean si' or 'sidhe' meaning woman of the faeries. According to legend they appointed from the faery world to forewarn the members of the families who claim direct descent from the mythical Milesians, the fifth and last of the population waves to sweep Ireland during pre-historical times. Although originally the pre-serve of the clans of O'Neill, O'Brien, O'Grady, O'Connor and Kavanagh, with intermarraige down through the centuries they have become attached to many other Irish families including several with distinctly Norman heritage.
Description:
The discovery of gold at Ballarat in 1851 conferred incredible wealth on the community, the colony and the British Empire. Ballarat was literally a city 'built on gold'. However, the immigrants who made their fortunes from gold rarely indulged in conspicuous private displays of consumption. The exception was William Bailey. His Italianate mansion, completed in 1883, reflected his great success in speculative mining ventures in the Ballarat area.
Description:
That the American Civil War occurred exclusively within North America and affected specifically United States affair is a common misconception. Whilst the majority of the infantry conflict occured within and between the United and then Confederate States of America, the clash was such that it and its effects spread accross the globe. Also engaged in the American Civil War were Prussian military observers; political entanglements with the United Kingdom and Russia; Canadian volunteers within the Union army; smuggling and blockade running from the Bahamas into the Confederate States; cotton shortages in French industries that were heavily reliant on raw materials imported from the southern states; merchant raiding in the Pacific and Atlantic; along with countless other entanglements to Europe and their colonies into the conflict through one means or another. The tyranny of distance notwithstanding, Australia was no exception to the overflow of conflicts and consequences that resulted from the American Civil War.
Description:
There has been significant new literature on the experience of women and lesbians on the Goldfields but very little has been published on the experience of homosexual men. However, despite being a capital offence until 1864 and a criminal act until the 1980s, records from the mid-ninteenth-century indicate there was a well-established, perhaps even flourishing, culture of male homosexuality on Victoria's Goldfields. This culture had its origins in the long established and distinct underground 'gay' subculture of late eighteenth and early nineteenth century of Great Britain, 'Molly houses'. These illegal bars and taverns, essentially served a function as the gay bars of their day.
Description:
Since the earliest colonial days in Australia there have been a large number of reports of what have variously been described as stone carving, rock sculptures, earthen sculptures and rock engravings by Aboriginal people. The most prominent of these has been on the wooden sculptures emanating from northern Australia. Few anthropologists have minutely reported on what McCarthy described as examples of Aboriginal 'plastic art'. Aboriginal sculptures 'crudely fashioned' from beeswax, some of them 'made to represent human figures' but more generally 'modelled' to represent 'kangaroos, turtles, goannas, crocodiles and birds'. One of the most widely reported earthen carvings in what is now known as Victoria was described as the Challicum Bunyip. This was reputed to be an outline of a creature known as a bunyip, which was gouged into the ground. Other accounts of life-sized Aboriginal sculpture in Victoria are not numerous but certainly extant.