Description:
Exhibition at Art Gallery of Ballarat, 29th July-19th September 2017. This exhibition presenting artwork and items from the unique personal collections of four contemporary Victorian artists: Loris Button, Deborah Klein, Louise Saxton and Carole Wilson. The artists are linked by their studio practice, their regional locations and connections, and their love of gleaning. Their studio collections range from curiosities, natural history specimens, memorabilia, discarded books and china, domestic textiles, carpet and linoleum, and old tools of trade.
Description:
Exhibition at Art Gallery of Ballarat, 29th July-19th September 2017. This exhibition presenting artwork and items from the unique personal collections of four contemporary Victorian artists: Loris Button, Deborah Klein, Louise Saxton and Carole Wilson. The artists are linked by their studio practice, their regional locations and connections, and their love of gleaning. Their studio collections range from curiosities, natural history specimens, memorabilia, discarded books and china, domestic textiles, carpet and linoleum, and old tools of trade.
Description:
This research project applies an analysis of identity, time and ageing to the practice-led project of investigating the way in which self portraiture may reflect and inform society's understanding of changing concepts of the ageing self in the early twenty-first century.
Description:
This research project applies an analysis of identity, time and ageing to the practice-led project of investigating the way in which self portraiture may reflect and inform society's understanding of changing concepts of the ageing self in the early twenty-first century.
Description:
Curated by Kim Anderson. 2nd December 2015 - 30th January 2016 WALL | PAPER brings together six artists working on and with paper and encompasses drawing, printmaking and sculptural works. A meticulous and methodical approach to art-making is shared by all, along with repeated forms, marks and motifs surrounding an individual singular focus. Each artist takes inspiration from different aspects of the external world that trigger a personal emotional response, and in translating these onto paper evoke themes of landscape, fate, memory and loss. Image: top row L- R: Cody Joy, Untitled, 2015 ink on paper (detail) Kim Anderson, Joy, 2015 Copic pen on paper (detail) Loris Button, Springtime in Renkum, 2015 linoprint on paper (detail) bottom row L-R: Tarli Glover, Conglomerate, 2012 recycled paper (detail) Debbie Hill, The Clotho,Lachesis and Atropos Series, 2015 graphite & coloured pencil on paper (detail) Trudi Harley, Transition, 2015 carbon pencil on paper (detail)
Description:
Curated by Kim Anderson. 2nd December 2015 - 30th January 2016 WALL | PAPER brings together six artists working on and with paper and encompasses drawing, printmaking and sculptural works. A meticulous and methodical approach to art-making is shared by all, along with repeated forms, marks and motifs surrounding an individual singular focus. Each artist takes inspiration from different aspects of the external world that trigger a personal emotional response, and in translating these onto paper evoke themes of landscape, fate, memory and loss. Image: top row L- R: Cody Joy, Untitled, 2015 ink on paper (detail) Kim Anderson, Joy, 2015 Copic pen on paper (detail) Loris Button, Springtime in Renkum, 2015 linoprint on paper (detail) bottom row L-R: Tarli Glover, Conglomerate, 2012 recycled paper (detail) Debbie Hill, The Clotho,Lachesis and Atropos Series, 2015 graphite & coloured pencil on paper (detail) Trudi Harley, Transition, 2015 carbon pencil on paper (detail)
Description:
SCOPE20: ARTS ACADEMY VISUAL ARTS LECTURERS, TEACHERS AND HONORARIES FRI 21 FEB – SAT 7 MAR 2020 Please join us for the exhibition opening, with remarks by Associate Professor Rick Chew, Director, Arts Academy, Federation University Australia @ 5:30 for 6pm on Thu 20 Feb 2020. All welcome! Loris BUTTON, Lucinda HORROCKS & Jary NEMO, Paul MAH, Jill ORR, Jimmy PASAKOS, Kim PERCY, Peter PILVEN, PITCHA MAKIN FELLAS, Elke VARGA, Morgan WILLIAMS, Carole WILSON In the Arts Academy’s important annual exhibition, SCOPE presents a diverse selection of works on paper, video, ceramics, printmaking, painting and design, by Visual Arts lecturers, teachers, Research Associates, Associate and Adjunct Professors and Research Fellows who, as artists, also sustain a rigorous artistic research and/or teaching practice at Federation University's School of Arts. Participating artists present work across disciplines including drawing, painting, photography, performance art, video, ceramics, textiles and printmaking. Presenting works of beauty and contemplation alongside the real and unsettling, participating artists express complex ideas related to fact and fiction, identity, empathy, politics and global unrest, as well as climate change, Indigenous art and cultural appropriation. Image: Wind & Sky Productions & Chris Hayward, Collections and Climate Change, 2019 Video: 9.01 mins. Courtesy the artists
Description:
SCOPE20: ARTS ACADEMY VISUAL ARTS LECTURERS, TEACHERS AND HONORARIES FRI 21 FEB – SAT 7 MAR 2020 Please join us for the exhibition opening, with remarks by Associate Professor Rick Chew, Director, Arts Academy, Federation University Australia @ 5:30 for 6pm on Thu 20 Feb 2020. All welcome! Loris BUTTON, Lucinda HORROCKS & Jary NEMO, Paul MAH, Jill ORR, Jimmy PASAKOS, Kim PERCY, Peter PILVEN, PITCHA MAKIN FELLAS, Elke VARGA, Morgan WILLIAMS, Carole WILSON In the Arts Academy’s important annual exhibition, SCOPE presents a diverse selection of works on paper, video, ceramics, printmaking, painting and design, by Visual Arts lecturers, teachers, Research Associates, Associate and Adjunct Professors and Research Fellows who, as artists, also sustain a rigorous artistic research and/or teaching practice at Federation University's School of Arts. Participating artists present work across disciplines including drawing, painting, photography, performance art, video, ceramics, textiles and printmaking. Presenting works of beauty and contemplation alongside the real and unsettling, participating artists express complex ideas related to fact and fiction, identity, empathy, politics and global unrest, as well as climate change, Indigenous art and cultural appropriation. Image: Wind & Sky Productions & Chris Hayward, Collections and Climate Change, 2019 Video: 9.01 mins. Courtesy the artists
Description:
In the past few years, there has been some interestingdebate on the notion of postgraduate research by the exegesis route, which is currently the most favoured approach to higher degree qualification in the creative arts arena. The production of an artwork, which is accompanied by scholarly written exposition, has become a well-accepted way in which cultural and social knowledge is generated within the creative disciplines. Some problems, however, still remain with the quality supervision of creative arts postgraduate students because of the concurrent requirements of having a supervisor with a significant reputation in the student's field of creative endeavour and the skills to advise on the preparation of the scholarly document that expounds on the creative work. In addition, because of the recent history of the exegesis route to higher degrees, there are relatively few experienced research staff in creative arts departments. At the University of Ballarat's Arts Academy, we have been developing an approachto the supervisionof creative Masters and Doctoral exegeses in the context of small staff numbers, a wide variety of practice areas, and a relatively large number of enrolled students. Results to date have been encouraging, and this paper will report on the way in which we are attempting to provide each studnet with the best educational experience possible and produce world-class creative higher degree graduates within a school that has a limited financial and personnel resource base
Description:
In the past few years, there has been some interestingdebate on the notion of postgraduate research by the exegesis route, which is currently the most favoured approach to higher degree qualification in the creative arts arena. The production of an artwork, which is accompanied by scholarly written exposition, has become a well-accepted way in which cultural and social knowledge is generated within the creative disciplines. Some problems, however, still remain with the quality supervision of creative arts postgraduate students because of the concurrent requirements of having a supervisor with a significant reputation in the student's field of creative endeavour and the skills to advise on the preparation of the scholarly document that expounds on the creative work. In addition, because of the recent history of the exegesis route to higher degrees, there are relatively few experienced research staff in creative arts departments. At the University of Ballarat's Arts Academy, we have been developing an approachto the supervisionof creative Masters and Doctoral exegeses in the context of small staff numbers, a wide variety of practice areas, and a relatively large number of enrolled students. Results to date have been encouraging, and this paper will report on the way in which we are attempting to provide each studnet with the best educational experience possible and produce world-class creative higher degree graduates within a school that has a limited financial and personnel resource base
Description:
Unique state linoprints on handmade plant fibre & cotton rag papers with enamelled insect pins. 30 sheets, each 14.0 x 20.0 cm, installation size 102.0 x 115.0 cm. Included in exhibition 'Recent Acquisitions 2009' at Potter Gallery, 2nd May - 28th June 2009.