Meeting point : The physical and emotional environment
- Authors: Joy, Cody
- Date: 2015
- Type: Text , Thesis , Masters
- Full Text:
- Description: This investigation uses a phenomenological framework to explore how an engagement with artistic process might create a meeting point through which to consider the internal and external environments. As a practice-led research project, it is the identification and exploration of artistic process that has led and revealed the theoretical issues to be explored alongside the creation of studio work. The shifting, interwoven oscillation between analytical and intuitive components that occurs in both conceptual underpinnings and the central processes of making, are recognised as being interdependent and mutually beneficial. This reflects both the nature of creative practice and artistic process, that is influential in both the realisation and progression of the theoretical and studio based outcomes. Significantly mark-making is established as a way of co-incidentally entering and extending the intuitive state while engaged in artistic activity. Those engaged with artistic practice are well placed to move between and across boundaries, absorbing and combining knowledge. Individual growth when shared, contributes back to the wider network of knowledge that feeds realisation and development of insight, both within the field of visual art and in other disciplines. The resulting body of work reveals the intuitive artistic development which is realised through a commitment to, and engagement with, individual artistic process. This investigation strengthens acceptance of self in its perfect state of imperfection, ultimately reflected in the wider process of creation going on both within and around all of us. The processes of creating art and creating self are therefore linked through engagement with materials and an awareness of the place where all things meet, the work. Realisation of the significance of art practice and the subsequently heightened focus on discovery, change and adaptability, aids physical and emotional recovery following adversity and raises areas of potential research for the future.
- Description: Bachelor of Visual Arts (Honours)
WALL | PAPER
- Authors: Anderson, Kim , Button, Loris , Glover, Tarli , Harley, Trudi , Hill, Debbie , Joy, Cody
- Date: 2015
- Type: Text , Visual art work
- Full Text: false
- Description: Curated by Kim Anderson. 2nd December 2015 - 30th January 2016 WALL | PAPER brings together six artists working on and with paper and encompasses drawing, printmaking and sculptural works. A meticulous and methodical approach to art-making is shared by all, along with repeated forms, marks and motifs surrounding an individual singular focus. Each artist takes inspiration from different aspects of the external world that trigger a personal emotional response, and in translating these onto paper evoke themes of landscape, fate, memory and loss. Image: top row L- R: Cody Joy, Untitled, 2015 ink on paper (detail) Kim Anderson, Joy, 2015 Copic pen on paper (detail) Loris Button, Springtime in Renkum, 2015 linoprint on paper (detail) bottom row L-R: Tarli Glover, Conglomerate, 2012 recycled paper (detail) Debbie Hill, The Clotho,Lachesis and Atropos Series, 2015 graphite & coloured pencil on paper (detail) Trudi Harley, Transition, 2015 carbon pencil on paper (detail)