‘Rough and ready’ : Makeshift, abstraction and the Australian patina
- Authors: Brooks, Terri
- Date: 2009
- Type: Text , Thesis , PhD
- Full Text:
- Description: Ned Kelly’s armour, the Eureka flag, and the premise that underlies the title of the most famous exhibition in Australian art history; the 9 by 5 Impression Exhibition held in Melbourne in 1889, are makeshift. This exegesis records the spirit of ‘making do’ or ‘makeshift’ in Australia’s post-settlement history including its manifestation in art. As this history is traced, the role of the harsh Australian landscape, and assertions of cultural convergence in post-settlement history, raised by historians including Russel Ward and Philip Jones are explored. Makeshift maps this country’s history of adversity, and popular bush story tellers, including Henry Lawson, contributed to makeshift flourishing in Australia and developing ‘everyday’ cultural associations.
- Description: Doctor of Philosophy
"That fella paints like me" : exploring the relationship between Abstract art and Aboriginal art in Australia
- Authors: Brooks, Terri
- Date: 2005
- Type: Text , Thesis , Masters
- Full Text:
- Description: "This research project explores the possibility of a relationship between Abstract art and Aboriginal art in Australia from the mid twentieth century to present. [...] The investigation commences with background information on the history and origins of Abstraction, including the influence of 'primitive art' upon leading practitioners in this field during the movement's formation, before moving to Australia and focussing on two Australian painters. [...] The text also reflects on the rise of the perception of Aboriginal art from being seen as cultural curios in the mid 20th century to its current status as an internationally recognised art movement."--p. 2.
- Description: Master of Arts (Visual Arts)