Rippled Sand Dish II
- Authors: Alexander, Jan
- Date: 2017
- Type: Text , Visual art work
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- Description: Exhibited as part of the Flanagan Art Exhibition; 2nd-3rd September 2017; St Patrick's Pavillion. Beach rememberance : repetitive, rippled patterns created by the interaction of sand with gentle ocean waves. Glossy glaze suggesting sunlight glimmering over shallow water. Three patterned supports symbolise raising of forgotten impressions through unconscious, subconsious, to conscious mind. The open dish: inviting one to contemplate earth and her calming, beautiful symmetry.
WALL | PAPER
- Authors: Anderson, Kim , Button, Loris , Glover, Tarli , Harley, Trudi , Hill, Debbie , Joy, Cody
- Date: 2015
- Type: Text , Visual art work
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- Description: Curated by Kim Anderson. 2nd December 2015 - 30th January 2016 WALL | PAPER brings together six artists working on and with paper and encompasses drawing, printmaking and sculptural works. A meticulous and methodical approach to art-making is shared by all, along with repeated forms, marks and motifs surrounding an individual singular focus. Each artist takes inspiration from different aspects of the external world that trigger a personal emotional response, and in translating these onto paper evoke themes of landscape, fate, memory and loss. Image: top row L- R: Cody Joy, Untitled, 2015 ink on paper (detail) Kim Anderson, Joy, 2015 Copic pen on paper (detail) Loris Button, Springtime in Renkum, 2015 linoprint on paper (detail) bottom row L-R: Tarli Glover, Conglomerate, 2012 recycled paper (detail) Debbie Hill, The Clotho,Lachesis and Atropos Series, 2015 graphite & coloured pencil on paper (detail) Trudi Harley, Transition, 2015 carbon pencil on paper (detail)
OneFourFour
- Authors: Anderson, Kimberlee , Clarke, Amy , Gofton, Erika , Hill, Debbie , Lapworth, Clare Martin , Lothian, Sayraphim , MacFarlane, Larissa , Nelson, Ilona , Nicholls, Naomi , Belle-Page, Sara Mae , Schloss, Joanne , Trevethan, Merryn
- Date: 2014
- Type: Text , Visual art work
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Network: the TLF Exhibition (Group Exhibition)
- Authors: Anderson, Kimberlee
- Date: 2010
- Type: Text , Visual art work
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- Description: 'Network' showcased the diversity of artists who utilise the internet as a vital tool in establishing and maintaining connections without geographical, social or economic boundaries. My contribution titled 'Catch Me if I Fall' was a site-specific drawing on the emergency exit doors of the gallery - an immediate and direct response to the space in which the exhibition was held. The use of the doors was a deliberate exploration of an 'alternative' or 'unconventional' space within the gallery environment.
It's only nothing, just invisible me
- Authors: Anderson, Kimberlee
- Date: 2008
- Type: Text , Visual art work
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- Description: Wall drawings and projection Consisted of two ink wall drawings and a 'gobo' light projection located in unconventional positions around the gallery space. This exhibition represented the evolution of my practice from a more traditional approach to drawing to working ephemerally with site-specific installation. Exhibited at the Dundee Masters Show, Generator Gallery, Dundee, Scotland
'Perfect Hiding Spot', 'Quick Exit' & 'Under the Fold'
- Authors: Anderson, Kimberlee
- Date: 2010
- Type: Text , Visual art work
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- Description: Wall drawings & framed drawing at the AIR8 Exhibition held at Post Office Gallery, University of Ballarat
Lost/Found
- Authors: Anderson, Kimberlee
- Date: 2007
- Type: Text , Visual art work
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- Description: Charcoal drawings & works on mirrors & glass Exhibited at The Convent Gallery, Daylesford
Group exhibition
- Authors: Anderson, Kimberlee
- Date: 2009
- Type: Text , Visual art work
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- Description: 5 works on paper in exhibition - at British School of Rome Gallery, Rome
Soul/Skin/Space
- Authors: Anderson, Kimberlee
- Date: 2010
- Type: Text , Visual art work
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- Description: Work exhibited at Counihan Gallery, Brunswick, Melbourne Inspired by an Australia Council residency in Rome in late 2009, Soul /Skin/Space explores the potential for bodily metaphors to be found in the physical environment - whether by overt reference, inferred likeness, or merely a trace left behind by the imprint of a hand or foot. In Rome there exists the incredibly powerful sense of human presence and a profound history in the depiction of the human form. The body is everywhere, both living and dead, flesh and stone, in the museums and galleries, on the streets, the aqueducts and fountains. The city itself is a living, breathing entity, an ancient being possessing the wisdom and knowledge borne out of three thousand years of experience. It has loved and lost, been abandoned and left others behind, lived through riches and poverty, triumphs, defeats and tragedies. Glimpses of faces and figures evoke memories of a once vigorous and youthful body now aged and weary. And monumental fragments of stone and marble are like broken bones and worn teeth, the relics of a once revered individual now almost reduced to dust.
A natural comparison
- Authors: Anderson, Kimberlee
- Date: 2010
- Type: Text , Visual art work
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- Description: A Natural Comparison is a series of drawings juxtaposing anatomical images with found objects from the natural environment, an exploration which began in March 2009 while I was undertaking a residency at Murrays Cottage in Hill End, NSW (funded by the Bathurst Regional Art Gallery).
Trickster Cloud
- Authors: Anderson, Lisa
- Date: 2016
- Type: Text , Visual art work
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- Description: Tricksters are cultural figures that were the ‘go-betweens’ for the gods. They brought the gifs, such as fire, and tampered with the gods’ intention of fre as a warming and cooking tool. The Trickster emphasised the all-consuming nature of fire. The metaphors and hidden meanings of Tricksters within folklore explore our relationship with landscape, with weather, and with our own attempts to shape our worlds. This Trickster Cloud is part comic, part pain and encompasses the weather landscape that, by its very nature, dominates our lives. The figure begs the question “Am I in Nature, or is Nature in me?”
Our corporate who art in heaven
- Authors: Atkins, Rosalind , De Medici, eX
- Date: 2012
- Type: Text , Visual art work
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Dawn 'til Dusk
- Authors: Atkins, Rosalind , De Medici, eX
- Date: 2011
- Type: Text , Visual art work
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Corruption in the ministry
- Authors: Atkins, Rosalind , De Medici, eX
- Date: 2013
- Type: Text , Visual art work
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- Description: Part of Electric Valley Studios exhibition
More Beasties : The Beasties print exchange portfolio and the Charles Sturt University Art Collection
- Authors: Atkins, Rosalind
- Date: 2009
- Type: Text , Visual art work
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- Description: Print engraving, Joyes Hall Gallery, Charles Sturt University, Wagga Wagga, NSW.
Aboreal
- Authors: Atkins, Rosalind
- Date: 2010
- Type: Text , Visual art work
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- Description: Gecko Studio Gallery. Mixed material
Message deleted
- Authors: Atkins, Rosalind
- Date: 2011
- Type: Text , Visual art work
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Drift
- Authors: Atkins, Rosalind , Purdy, Susan
- Date: 2013
- Type: Text , Visual art work
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From the corines of man's nature
- Authors: Atkins, Rosalind
- Date: 2011
- Type: Text , Visual art work
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Unfolding projects: Afghan and Australian Artist Book Collaborations
- Authors: Atkins, Rosalind
- Date: 2011
- Type: Text , Visual art work
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