Scope 16 Exhibition
- Authors: Anderson, Lisa , Button, Loris , Hill, Debbie , Lofts, Debbie , Mah, Paul , Mangan, Ben , Orr, Jill , Pasakos, James , Pilven, Peter , Smith, Chrissy , Wilson, Carole
- Date: 2016
- Type: Text
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- Description: 3rd February - 5th March 2016 SCOPE, FedUni's Arts Academy important annual exhibition showcases an inspired and rich mix of accomplished work by visual arts staff, research associates and associate and adjunct professors. The exhibition highlights the staff's ongoing commitment to a sustained, rigorous art practice across a broad range of approaches and media including ceramics, painting, photography, design, drawing and printmaking. While the exhibition offers a great opportunity for staff to present their more recent works, which extend notions of contemporary art, new and returning visual arts students are able to view work created by key visual arts lecturers. Image: Peter Pilven Psycho Santa, 2015 digital print on paper 600 x 700mm Courtesy the artist
What is ‘Value’ When aesthetics meets ethics inside and outside of the Academy
- Authors: Bolt, Barbara , MacNeill, Kate , McPherson, Megan , Ednie Brown, Pia , Barrett, Estelle , Wilson, Carole , Miller, Sarah , Sierra, Marie
- Date: 2017
- Type: Text , Conference paper
- Relation: ACUADS annual conference; Canberra, ; 28th-29th September 2017; published in ACUADS Conference proceedings
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- Reviewed:
- Description: As a ‘new’ research discipline, the creative arts challenges ethics understandings with emergent research practices. In this paper we focus on a current learning and teaching project that attends to ethical know-how in creative practice research in order to address the gaps between institutional research know-how and the practices of creative practitioners in the world. Graduate creative practice researchers working in the university are required to observe the University’s Code of Conduct for Research and adhere to the guidelines provided by the National Statement, however practicing artists working in the community are not similarly constrained. Once creative practice PhD graduates leave the university, they are no longer required to gain ethics clearance for their work but use their own developed sense of ethics to make “judgment calls.” Ethical know-how is situated, contextual, and a mainstay of all professional practices in action. The aim of this paper is to examine the notion of value as it is perceived by academics, practitioners and PAR researchers in and beyond the university as this relates ethical know-how. Through an examination of a survey of PAR supervisors and RHD candidates this paper will discuss issues specific to the creative practice disciplines. This analysis enables us to raise issues specific to the creative arts disciplines and will help us prepare our graduate researchers to become ethical and innovative practitioners in the real world.
iDARE Creative arts research approaches to ethics: new ways to address situated practices in action
- Authors: Bolt, Barbara , MacNeill, Kate , McPherson, Megan , Barrett, Estelle , Ednie-Brown, Pia , Miller, Sarah , Sierra, Marie , Wilson, Carole
- Date: 2016
- Type: Text , Conference proceedings
- Relation: 12th Biennial Quality in Postgraduate Research Conference (QPR 2016),Adelaide, SA ; 20th-22nd April 2016 pp.98-105;
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- Reviewed:
- Description: As a 'new' research discipline, the creative arts challenges ethics understandings within the context of its emergent research methodologies and the interactive and polyvalent nature of knowledge produced this mode of research. In this paper we focus on a current learning and teaching project that attends to ethical know-how in creative practice research in order to address the gaps between institutional research knowhow and the practices of creative practitioners in the world. Graduate creative practice researchers working in the university are required to observe the University's Code of Conduct for Research and adhere to the guidelines provided by the National Statement, however, practicing artists working in the community are not similarly constrained. Once creative practice PhD graduates leave the university, they are no longer required to gain ethics clearance for their work but use their own developed sense of ethics to make 'judgment calls.' Ethical know-how is situated, contextual, and a mainstay of all professional practices in action. In order to address the disjuncture between institutional ethics and compliance, what we call 'know-what,' and the ethical know-how required in the real world by artists, this paper sets out the principles and an approach to developing ethical know-how. Through a case study that adapts real world art practice to the research context of the Academy, this essay demonstrates how institutional know-what can be brought into play with ethical know-how. We propose that 'the hypothetical' enables us to shift perceptions and practice around ethics. This approach raises issues specific to the creative arts disciplines and prepares our graduate researchers to become ethical and innovative practitioners in the real world.
From the Bower : Patterns of collecting
- Authors: Button, Loris , Klein, Deborah , Saxton, Louise , Wilson, Carole
- Date: 2017
- Type: Text , Visual art work
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- Description: Exhibition at Art Gallery of Ballarat, 29th July-19th September 2017. This exhibition presenting artwork and items from the unique personal collections of four contemporary Victorian artists: Loris Button, Deborah Klein, Louise Saxton and Carole Wilson. The artists are linked by their studio practice, their regional locations and connections, and their love of gleaning. Their studio collections range from curiosities, natural history specimens, memorabilia, discarded books and china, domestic textiles, carpet and linoleum, and old tools of trade.
SCOPE 20 Exhibition
- Authors: Button, Loris , Horrocks, Lucinda , Nemo, Jary , Wind & Sky Productions , Mah, Paul , Orr, Jill , Pasakos, Jimmy , Percy, Kim , Pilven, Peter , Fellas, Pitcha Makin , Laxton, Ted , Edgeley, Trudy , Rigney, Adrian , Varga, Elke , Williams, Morgan , Wilson, Carole
- Date: 2020
- Type: Text , Visual art work
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- Description: SCOPE20: ARTS ACADEMY VISUAL ARTS LECTURERS, TEACHERS AND HONORARIES FRI 21 FEB – SAT 7 MAR 2020 Please join us for the exhibition opening, with remarks by Associate Professor Rick Chew, Director, Arts Academy, Federation University Australia @ 5:30 for 6pm on Thu 20 Feb 2020. All welcome! Loris BUTTON, Lucinda HORROCKS & Jary NEMO, Paul MAH, Jill ORR, Jimmy PASAKOS, Kim PERCY, Peter PILVEN, PITCHA MAKIN FELLAS, Elke VARGA, Morgan WILLIAMS, Carole WILSON In the Arts Academy’s important annual exhibition, SCOPE presents a diverse selection of works on paper, video, ceramics, printmaking, painting and design, by Visual Arts lecturers, teachers, Research Associates, Associate and Adjunct Professors and Research Fellows who, as artists, also sustain a rigorous artistic research and/or teaching practice at Federation University's School of Arts. Participating artists present work across disciplines including drawing, painting, photography, performance art, video, ceramics, textiles and printmaking. Presenting works of beauty and contemplation alongside the real and unsettling, participating artists express complex ideas related to fact and fiction, identity, empathy, politics and global unrest, as well as climate change, Indigenous art and cultural appropriation. Image: Wind & Sky Productions & Chris Hayward, Collections and Climate Change, 2019 Video: 9.01 mins. Courtesy the artists
An ethical engagement: creative practice research, the academy and professional codes of conduct
- Authors: MacNeill, Kate , Bolt, Barbara , Barrett, Estelle , McPherson, Megan , Sierra, Marie , Miller, Sarah , Ednie-Brown, Pia , Wilson, Carole
- Date: 2021
- Type: Text , Journal article
- Relation: Research ethics review Vol. 17, no. 1 (2021), p. 73-86
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- Reviewed:
- Description: This paper reports on the experiences of creative practice graduate researchers and academic staff as they seek to comply with the requirements of the Australian National Statement on the Ethical Conduct of Research Involving Humans. The research was conducted over a two-year period (2015 to 2017) as part of a wider project ‘iDARE – Developing New Approaches to Ethics and Research Integrity Training through Challenges Presented by Creative Practice Research’. The research identified the appreciation of ethics that the participants acquired through their experience of institutional research ethics procedures at their university. It also revealed a disjunction between the concepts of ethics acquired through meeting institutional research ethics requirements, the notion of ethics that many researchers adopt in their own professional creative practice and the contents of professional codes of conduct. A key finding of the research was that to prepare creative practice graduates for ethical decision-making in their professional lives, research ethics training in universities should be broadened to encompass a variety of contexts and enable researchers to develop skills in ethical know-how.
PAPERmade
- Authors: Wilson, Carole
- Date: 2014
- Type: Text , Visual art work
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Mrs Darwin's Garden
- Authors: Wilson, Carole
- Date: 2010
- Type: Text , Visual art work
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- Description: Visual art work exhibited at the Ballarat Fine Art Gallery
Scala
- Authors: Wilson, Carole
- Date: 2013
- Type: Text , Visual art work
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- Description: Scala exhibition - 23rd September to 6th October, 2013 Hanes Art Gallery, Wake Forest University Winston-Salem, North Carolina The Visual art works comprising Scala investigated the manner in which nature is mediated through both architectural forms and topographic codes; abstracting and embellishing our sense of space, time and ancient/contemporary culture. In doing so the work arrives a point of new knowledge for the discipline in terms of mapping, displacement and the use of motif within our navigation of real and imagined spaces. The significane of this research is attested to by the fact that it was shown at two international, university art galleries; strengthening ties between the Arts Academy at the University of Ballarat amd other art/research institutions in the United States.
'Amphora' exhibition
- Authors: Wilson, Carole
- Date: 2007
- Type: Text , Visual art work
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- Description: Exhibition at Dianne Tanzer Gallery, Melbourne Woollen carpet installations. This body of research investigated decomposition and decline and reusing cast off material to recreate beauty. It commented on excess of ornamentation, waste and re-working history to create a new story.
Woven mantra : a visual expression of meditation
- Authors: Wilson, Carole
- Date: 2001
- Type: Text , Thesis , Masters
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- Description: "This research project examines the links between spiritual practice and visual art. More specifically, the research examines the relationship between the repetition of a mantra, the repetition of an image and the repetition of a stich.
- Description: Master of Arts Visual Arts
Scala
- Authors: Wilson, Carole
- Date: 2013
- Type: Text , Visual art work
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- Description: Scala Exhibition held at Gallery FAB, 7th November-7th December, 2013 University of Missouri-St. Louis, St. Louis, Missouri The Visual art works comprising Scala investigated the manner in which nature is mediated through both architectural forms and topographic codes; abstracting and embellishing our sense of space, time and ancient/contemporary culture. In doing so the work arrives a point of new knowledge for the discipline in terms of mapping, displacement and the use of motif within our navigation of real and imagined spaces. The significane of this research is attested to by the fact that it was shown at two international, university art galleries; strengthening ties between the Arts Academy at the University of Ballarat amd other art/research institutions in the United States.
'Contained Worlds' Exhibition
- Authors: Wilson, Carole
- Date: 2008
- Type: Text , Visual art work
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- Description: 'Contained Worlds' Exhibition held at Dianne Tanzer Gallery, Melbourne, 13 September - 11 October 2008 This research focussed on various aspects of colonisation and the length early european settlers went to in imposing their own sense of order on the Australian landscape through the creation of their homes and gardens. Long standing concerns with the history of women's handcrafts and the decorative arts was given emphasis in this body of work. Utilising a textile based process of cutting, piecing and stitching, the mapped representation of a given piece of land lost its original sense of meaning and was transformed offering multiple new readings.
Bird atlas
- Authors: Wilson, Carole
- Date: 2013
- Type: Text , Visual art work
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- Description: Work exhibited as part of Togart Exhibition, Chan Contemporary Art Space- Darwin, Northern Territory - The work was exhibited as part of the Togarth Contemporary Art Award 2013 in Darwin; which is an annual exhibition that brings together Visual art works from all cultural bakgrounds.
'Prism' Exhibition
- Authors: Wilson, Carole
- Date: 2008
- Type: Text , Visual art work
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- Description: Visual art work exhibited at the The Light In Winter Festival, Federation Square, Melbourne 5 June - 5 July 2008, This work depicted a multi layered image of India reference various cultural, religious and historical traditions. It comprised laser cut highly reflective panels attached to the steel fabric of a buildign in Federations Square. It was alternately backlit and front lit with coloured lights to convey a sense of drama reminiscent of Diwali Festival of Lights.
'Gardenesque' Exhibition
- Authors: Wilson, Carole
- Date: 2005
- Type: Text , Visual art work
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- Description: 'Gardenesque' is a Ballarat Fine Art Gallery travelling exhibition held at Maroondah Art Gallery 20 January - 19 February 2005, Craft ACT Gallery 2 June - 3 July 2005 and Ararat Gallery 30 July - 11 September 2005. Acrylic paintings on canvas, carpet wall installations and paper wall installations. This research investigated notions of home and garden, particularly as it related to domestic architecture in Ballarat. Decorative architectural embellishments such as iron lace and plaster ceiling roses were revisted in materials such as reclaimed carpet. Garden design and architectural and building nomenclature were explored through paintings on canvas. Ownership and attachment to domestic space formed the backdrop to this exhibition.
Field note : Penang
- Authors: Wilson, Carole
- Date: 2016
- Type: Text
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