Ecopoetic practice : Writing the wounded land
- Authors: Wattchow, Brian
- Date: 2012
- Type: Text , Journal article
- Relation: Cultural Studies - Critical Methodologies Vol. 12, no. 1 (2012), p. 15-21
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- Description: In this article the author discusses the experience of poetic writing as a form of autoethnographic practice. Poetic writing, more than other textual forms, offers considerable potential to represent the journey toward "empathetic insidedness" between author, culture, and a sense of place. The author draws examples from his recently published collection of poems titled The Song of the Wounded River. The poems were first drafted on a long canoe journey down the river to the old farm pioneered by the author's ancestors over a century ago. In an ecopoetics of place the writer strives to reconcile differences between past, present, and future and between their experiences of inner and outer landscapes. In an echo of Romanticism the ecopoet writes to heal the world's wounds through singing the land. Seen in this light poetry and empathy provide the counterbalance to science and rationality. Both are needed to sustain the human relationship with the Earth. Humans damage places not because they fail to understand them, but because they are yet to feel for them, like kin. This article draws together and discusses the physical search for place, the act of poetic writing, and the cultural significance of this kind of work. © 2012 SAGE Publications.
The mirror of the sea : Narrative identity, sea kayak adventuring and implications for outdoor adventure education
- Authors: Miles, Beau , Wattchow, Brian
- Date: 2015
- Type: Text , Journal article
- Relation: Australian Journal of Outdoor Education Vol. 18, no. 1 (2015), p. 16-26
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- Description: This paper explores the complex and changing nature of adventure as a form of cultural practice. Borrowing from Joseph Conrad's memoirs The Mirror of The Sea (1907), sea kayaking is contextualized here as a journey that takes place just as much between 'landfall and departure' as it does between the paddler's ears (i.e., in the paddler's mind). That is to say, to gain useful insights into the experience of sea kayaking it is necessary to consider both the external and internal journey of the paddler, and the relationship that exists between these two phenomena. Using tenets of personality psychology which presents new ways of understanding narrative identity, we will 'waymark' textual vignettes from four modern day sea kayaking adventure narratives to explore ideas of self, narrative identity and meaning making. These key passages aim to reveal how the adventurer's story is influenced by "external factors that shape the public expression of stories about the self" (McAdams & McLean, 2013, p. 233). Summary discussion will address potential implications for contemporary outdoor adventure education, offering a way of stimulating reflective practice about the culturally and textually constructed nature of adventure.