Description:
**Please note that there are multiple authors for this article therefore only the name of the first 5 including Federation University Australia affiliate “Harpinder Sandhu” is provided in this record**
Description:
**Please note that there are multiple authors for this article therefore only the name of the first 5 including Federation University Australia affiliate “Harpinder Sandhu” is provided in this record**
Description:
“I came to find my father”Indiana Jones and the Quest for the Lost Father Linda Wight Numerous commentators have observed the pervasive concern with father- son relationships in the films of Steven Spielberg. Lester D. Friedman writes, “No matter the genre, father figures—good and bad, dependable and unreliable, genetic and assumed—pervade Spielberg’s movies” (95). Spielberg has been particularly noted for his repeated depiction of “psychologically and emotionally lost boys” and “missing, consumed, distant, or malevolent father figures” (34), a pattern often attributed to Spielberg’s own well-publicized troubled relationship with his emotionally distant father (34). Father- son relationships are a feature of each of the Indiana Jones films,though it is in the third and fourth installments that the quest for father- son reconciliation takes thematic primacy. In Raiders of the Lost Ark, Indy’s seduction of the teenage Marion is framed as a betrayal of her father, Abner, who loved Indy “like a son,” while Indiana Jones and the Temple of Doom positions Indy as surrogate father to eleven- year-old Short Round and the Indian children whom he frees from a Thuggee cult. The later films expand on these concerns. Indiana Jones and the Last Crusade explores the adolescent rebellion implied by Indy’s betrayal of Abner in Raiders, attributing Indy’s immaturity and search for surrogate father figures to the emotional neglect of his bio-logical father, Henry Jones. Last Crusade emphasizes that a positive father-son relationship is crucial to both father and son’s achievement of a mature, well- rounded masculine identity. Thus, the quest for the Holy Grail becomes inextricably bound up with, and indeed secondary to, the quest for father-son reconciliation. Indiana Jones and the Kingdom of the Crystal Skull again positions father- son reconciliation as crucial in the quest for a secure and respected masculine identity. Building upon his role as surrogate father in Temple of Doom, Indy discovers he has a biological son, “Mutt,” with Marion.
Description:
“I came to find my father”Indiana Jones and the Quest for the Lost FatherLinda WightNumerous commentators have observed the pervasive concern with father- son relationships in the films of Steven Spielberg. Lester D. Friedmanwrites, “No matter the genre, father figures—good and bad, dependable andunreliable, genetic and assumed—pervade Spielberg’s movies” (95). Spielberghas been particularly noted for his repeated depiction of “psychologicallyand emotionally lost boys” and “missing, consumed, distant, or malevolentfather figures” (34), a pattern often attributed to Spielberg’s own well-publicized troubled relationship with his emotionally distant father (34). Father- son relationships are a feature of each of the Indiana Jones films,though it is in the third and fourth installments that the quest for father- sonreconciliation takes thematic primacy. In Raiders of the Lost Ark, Indy’s seduc-tion of the teenage Marion is framed as a betrayal of her father, Abner, wholoved Indy “like a son,” while Indiana Jones and the Temple of DoompositionsIndy as surrogate father to eleven- year-old Short Round and the Indian chil-dren whom he frees from a Thuggee cult. The later films expand on theseconcerns. Indiana Jones and the Last Crusadeexplores the adolescent rebellionimplied by Indy’s betrayal of Abner in Raiders, attributing Indy’s immaturityand search for surrogate father figures to the emotional neglect of his bio-logical father, Henry Jones. Last Crusadeemphasizes that a positive father-son relationship is crucial to both father and son’s achievement of a mature, well- rounded masculine identity. Thus, the quest for the Holy Grail becomesinextricably bound up with, and indeed secondary to, the quest for father-son reconciliation. Indiana Jones and the Kingdom of the Crystal Skullagainpositions father- son reconciliation as crucial in the quest for a secure andrespected masculine identity. Building upon his role as surrogate father inTemple of Doom, Indy discovers he has a biological son, “Mutt,” with Marion,
Description:
This work presents a model for human activity recognition, through an IoT paradigm, using location and movement data, generated from an accelerometer. The activities of five individuals from different age groups were monitored, utilizing IoT devices, using the activities of four of these individuals to train the model and the activities of the remaining individual for test data. For the prediction of the activities, the Extra Trees algorithm was used, where the results of 81.16% accuracy were obtained when only movement data were used, 92.59% when using both movement and location data, and 97.56% when using movement data and synthetic location data.
Description:
This paper is concerned with the emergence of hospitality in Colonial Victoria, and is part of ongoing research into understanding Victoria’s ‘tourism era of discovery’, which focuses on the embryonic or emergent phase in which the tourism and hospitality industry is coming into being. Travellers’ accounts and other contemporary sources are used to provide insights into Victoria’s nascent hospitality - through them we should be able to see the various places that were emerging as settlements in the colonial space. It offers a social history of Aboriginal interactions and associations with bush inns including camping sites; cultural performances; alcohol consumption; restrictions on serving alcohol to Aboriginal people; and sites of violence. In the pre-gold period, accommodation responded to the needs of pastoral travellers and reflected physical discontinuities such as river crossings, which were logical places to stop and rest. These discontinuities also became opportunities for interactions with Aboriginal peoples