- Title
- Enhancing illusionism within the encased contemporary art diorama through the integration of screen-based animated film
- Creator
- Kronberger, Kenneth
- Date
- 2022
- Type
- Text; Thesis; PhD
- Identifier
- http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/193592
- Identifier
- vital:18207
- Abstract
- In the late nineteen eighties artists started to create a highly illusionistic type of small scaled diorama, which I refer to as the encased contemporary art diorama. Such dioramas are typically presented encased in a box-like structure with a glazed viewing window situated at the front. Artifice such as realistically coloured and shaped miniature forms, strategically positioned mirrors and quantified atmospheric lighting are used to enhance the verisimilitude of the mimetic resemblance to life-sized reality. As a maker of animated films, I became curious about the ways in which illusionism within such dioramas might be enhanced through the integration of screen-based animated film. To pursue this line of enquiry, I first strove to understand how illusionism functions within encased contemporary art dioramas, and I travelled to Lyon, France to view an exhibition of such dioramas at the Musee Miniature et Cinema. As there is an apparent lack of text on how illusionism functions within such dioramas, I modelled my initial research on texts about illusionism in representational pictures, how artists create visual illusions and the role of the viewer in the formation and perception of illusions. I engaged the writing of Michael Fish to assist in identifying different illusion types. To fully view the interior of an encased contemporary art diorama, the viewer must alter the location of their eyes in relation to the diorama and its contents, concurrently the encasement prevents any tactile appraisal of the diorama’s contents. I refer to Maurice Merleau-Ponty’s phenomenology of embodiment to account for the ways the viewer’s embodiment can influence their perception of dioramic illusions. The outcomes of my studio practice include animated films, and dioramas both with and without screen-based animated film integrated within them. The resulting illusions achieved are appraised and discussed, limitations are identified, and future potentials contemplated.; Doctor of Philosophy
- Publisher
- Federation University Australia
- Rights
- All metadata describing materials held in, or linked to, the repository is freely available under a CC0 licence
- Rights
- Copyright Kenneth Kronberger
- Rights
- Open Access
- Subject
- Diorama; Illusionism; Embodied perception; Contemporary art; Animated film
- Full Text
- Thesis Supervisor
- Wilson, Carole
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